In 1946 having presumed Henri Cartier-Bresson dead, a posthumous exhibition of his work was prepared in New York. Henri, upon finding out this amusing mistake, arrived in New york with a scrapbook containing 300 of his favourite images. He presented this to the gallery as a suggestion for his retrospective exhibition. The above gives insight into why, despite it being difficult to show anything new about such a celebrated photographer, this book is still unique.